Saturday, 27 December 2008

Music

Throughout our post-production pieces we have used quite upbeat 70's/80's music. Therfore we were considering whether to use upbeat music at the start of our thriller opening in our shed scene with the "stalker", with the music then being shown playing through an old style radio which he/she turns off. However, this is just an idea as it could be a risk because it may reduce the intensity of the opening.
I was watching Deja Vu this evening and saw it used the upbeat music on the radio idea in its opening so I thought i'd put it on here and see what you think?

It starts from about 3 minutes



PS Hope you all had a good christmas :]
x

Thursday, 18 December 2008

Flashbacks

One of our ideas is to include rapid flashbacks within our opening. We would like these flashbacks to be quick and have bright flashs in between them, as it creates tension and adds an aspect of mystery to the opening. As an example, the first 30 seconds (or so!) of this film has the technique that we would like to use in our flashback scene.



Let us know what you think :]

Title Ideas


We came up with five different titles we like, but cannot choose which one we like, please comment letting us know which one you like best.

They are quite quick, but this can be adjusted later as well as colour and font.

Below are some of the comments we had about each title:

Title One Advantage: It's simple Disadvantage: Boring?

Title Two Advantage: It's conventional of the thriller genre Disadvantage: Too quick in video

Title Three Advantage: Bit mysterious Disadvantage: Commonly used for media projects

Title Four Advantage: Carries on the 'police' theme included in our thriller Disadvantage: Boring?

Title Five Advantage: Speed, and is Conventional Disadvantage: Commonly used

Brainstorm

(Click the image to enlarge)

This is the brainstorm I made, it includes ideas for the narrative, with possible shot types, costumes, and props.

Thursday, 11 December 2008

Target Audience for Thrillers

Thrillers are generally particulary popular with the under 25's and have a slight female skew.
With moviegoers in an attentive and focused mindset, they provide a highly effective, distraction free advertising enviroment.


Top Rated Thriller Films

Ok... so these are supposed to be the top rated thriller films.

1. The Godfather (1972)
2. TheGodfather: Part II (1974)
3. The Dark Knight (2008)
4. Star Wars: Episode V- The Empire Strikes Back (1980)
5. Rear Window (1954)
6. The Usual Suspects (1994)
7. Psycho (1960)
8. Fight Club (1999)
9. The Silence of the Lambs (1991)
10. North by Northwest (1959)
11. Memento (2000)
12. The Matrix (1999)
13. Se7en (1995)
14. Leon (1994)
15. Taxi Driver (1976)

DAO: Thriller Questionnaire

We produced a questionnaire to get some audienmce research to help us with our Thriller opening. The questionnaire included questions on their favourite Thriller films, conventions of they like to see and what they expect to find in the opening of a Thriller film.We asked students and teachers within our school, between the ages of 16-36.
Here are our results!

What do you like about the thriller genre?
Suspense -27.9%
Gore- 5.5%
Action-packed -11.1%
Cliffhangers -5.5%
Twists -38.9%
Other - Complex plots -5.5%
Mystery -5.5%

What is your favourite thriller film?
Fight club-50%
Memento -10%
The Matrix -20%
The Bourne Trilogy -10%
Signs -10%

Do you like to have to think about the narrative of the film or would you rather be given the storyline?
Think about the narrative -80%
Given the storyline -20%

How much gore do you prefer to see at the start of a thriller film?
None-40%
Some-40%
Lots-20%

How often do you watch a thriller film?
Once a week-0%
Once a fortnight-40%
Once a month-50%
More-10%

Do you find flashbacks within the narrative too confusing or do you find them helpful for the story?
Too confusing-20%
Helpful-80%

From our results we have decided to hold back on any gore included and that a confusing story line is not a problem with our audience. Also we are now confident about using flashbacks within our opening!

Wednesday, 3 December 2008

Preliminary Task: The Interview

Above is our preliminary task, we had to include walking through a door and sitting down opposite someone and exchanging two lines of dialogue.

Olivia plays someone going for an interview to be an apprentice, to find when she gets there her possible boss isn't as professional as she had hoped.

We're happy with the range of shots used, including close ups, over the shoulder shots and a pan. We had to be careful that Danielle used the same name (Miss Turner, instead of Olivia), and to be aware of the mise en scene, for example whether the folder on the desk was open or closed for different shots to ensure continuity was kept up.

Our location in school was ideal, yet we had to be careful of other people getting in our shots in the hallway. We felt our music was rather quirky, just like in our Practice Film - looks like this may become our trademark!

Congratulations, you've got the job!

Tuesday, 2 December 2008

Blood Diamond





Set during the Sierra Leone Civil War in 1999, the film shows a country torn apart by the struggle between government soldiers and rebel forces. The film portrays many of the atrocities of that war, including the rebels' amputation of people's hands to stop them from voting in upcoming elections.
The film beginswith the capture of Solomon Vandy (Djimon Hounsou), a Mende fisherman, by the Revolutionary United Front (RUF) rebels when they invade the small Sierra Leonian village of Shenge. Seperated from his family, Solomon is enslaved to work in the diamond fields under the command of Captain Poison (David Harewood) while his son Dia is conscripted into the rebel forces, the brainwashing eventually turning him into a hardened killer. The RUF use the diamonds to fund their war effort, often trading them directly for arms. While working in the RUF diamond fields as a forced laborer, Solomon finds a large diamond of rare pink colouring. Moments before government troops launch an attack, Captain Poison sees Solomon hiding the diamond. Captain Poison is injured in the attack before he can get the stone, and both he and Solomon are taken to prison in Freetown, the capital of Sierra Leone.
Danny Archer (Leonardo DiCaprio), an Anglo ex-mercenary from Rhodesia (now Zimbabwe), trades arms for diamonds with an RUF commander. He is imprisoned after being caught smuggling the diamonds into neighboring Liberia, and the diamonds are confiscated. He had been transporting the diamonds to a South African mercenary named Colonel Coetzee (Arnold Vosloo), who is in turn employed by South African diamond company executive Van De Kaap (Marius Weyers) and his deputy Simmons (Michael Sheen). Coetzee is Archer's former commander in 32 Battalion, the most decorated unit of the South African Border War, made up of Angolan and Rhodesian soldiers and white South African officers. Archer is desperate for a way to repay Colonel Coetzee for the diamonds taken from him when he was arrested and thrown in jail, in the same prison as the fisherman. While in prison, he overhears Captain Poison ranting to Solomon about the discovery of the large diamond and decides to hunt down the stone. He arranges for Solomon's release from prison and offers to help him find his family in exchange for the diamond.
Archer and Solomon find their way to Maddy Bowen (Jennifer Connelly), an American journalist, who helps Solomon track down his family. Bowen soon learns that Archer is using Solomon to find his diamond and will eventually steal it for himself, to leave Africa forever. Bowen, a humanitarian, refuses to help Archer unless he can tell her about the diamond market to stop the flow of blood diamonds out of Africa, cutting off funding of Civil War and ending a mass revolution. Archer gives Bowen the infromation that she wants and gets access to use the press convoy to travel to Kono to find the diamond.
The convoy is attacked and Archer, Solomon and Bowen escape and find their way to the South African mercenary force under Colonel Coatzee. There they learn the attack force preparing to retake Sierra Leone-- a reference to the actual 1995 hiring of South African security firm Executive Outcomes by the provisional government of Sierra Leone. The two men leave the camp on foot while Bowen boards a plane carrying foreigners out of the conflict zone. After an arduous overnight trek, the men reach the mining camp in a river valley, still under RUF control, where Solomon discovered and buried the large diamond. Here, Solomon is painfully reunited with his son Dia, who refuses to acknowledge him because he has been brainwashed by the rebels. Solomon is also reunited with Captain Poison, who orders him to find the diamond, but the South African mercenary force, also after the diamond, dispatches the RUF rebels in a massive air strike which kills many of the RUF rebels and some of the miners. Amist the choas, Solomon suffers from temporary insanity and kills Poison with a shovel. Through a deal with Archer, Colonel Coetzee forces Solomon to retrieve the stone. In a desperate battle, Archer kills Coetzee and the other two soldiers with him after realizing that they would have killed both Archer and Solomon upon locating the diamond. At this point Dia holds Archer and Solomon at gunpoint with a pistol, but Solomon manages to convince him to side with them.
As Archer overturns a body to take equipment he realizes he has been shot, but keeps this to himself. Having arranged in advance for a plane to pick him up, he radios to the pilot, Benjamin Kapanay (Basil Wallace), who demands that Archer dump Solomon and Dia. Slowly and painfully the group makes its way from the valley towards an airstrip atop a nearby ridge. Archer collapses, unable to climb, and Solomon carries him a little ways before Archer has him put him down. He tells Solomon to take Dia home, knowing that he is dying, and gives them the diamond. Archer holds off the soldiers chasing them while Solomon and Dia flee, and then makes a final phone call to Bowen, asking her to help Solomon as a last favor before looking out over the beautiful landscape of Africa once more and dying peacefully.
With the help of Bowen, Solomon trades the diamond to Simmons for a large sum of money and the reunification of his family, making the exchange as Solomon's wife and children deplane from a Lear Jet at a London airport. Bowen, who secretly photographs the deal, later publishes a magazine piece exposing the trade in "conflict" or "blood" diamonds. The film ends with Solomon smiling at the photograph Maddy took of Archer earlier, now published in her magazine along with the complete story of their journey, before addressing a conference on blood diamonds in Kimberley, South Africa, describing his experiences. This refers to an actual meeting that took place in Kimberley in 2000 and led to the Kimberley Process Certification Scheme, which seeks to certify the origin of diamonds in order to curb the trade in conflict diamonds.

Our Practice Task

The above video is the practice piece we made. We decided we would try shooting Olivia walking through the door to give us a chance to try out our continuity skills during the editing stage, whilst using essential shots including a tilt, pan, close up and behind the shoulder shots which we intend to use in our thriller opening.

Overall we are pleased with how our movie has turned out. We learnt to be careful where we choose to film, as during the 'hall' scene, at first there is people standing there, then at the end there isn't, which effects the continuity.

P.S. whilst watching, look out for Emily's reaction to Olivia's scream.